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Neela Saraswathi Sadhana

Dear all, with the brief deviation to vedas and tantras, let me outline, Tara Ma as a form of Saraswati in the following ritual. This is the Mantranthara of Taratrykshari outlined previously.

The astra mantras, moola mantra chandas all are similar with Tara Tryakshari which is outlined previously.

Dhyana shloka:

“raktambaraam raktasimhasanastham hemabhushithaam ekavaktraam vedasamkhaiyeerbhujai: sambhibhratheem kramat akshamalaam paanapathramabhayam varamuthamam shwetadeepasthithaam dhyayeth sthitidhyanamidam smrutham”

Peetha shakthi, peeda samishti, peeda pooja all mantras are same with previous one Tara Tryakshari

Moorthi kalpana : Hrim namah , hrim trim hum namah , taraamurthaye namah Upachara : Om hrim om namah

Avahana : As per saraswathi pooja ( will outline it as next)

Ayudha nyasa :

  1. Akshamalaye namah
  2. chakshakaayee namah
  3. abhayaya namah
  4. varadaya namah

Bhushana Nyasas :

  1. kiridaaya namah
  2. ardhachandraya namah
  3. makudaya namah
  4. swarnakundalabhyam namah
  5. haaraya namah
  6. angadebhyo namah
  7. kankanebhyo namah
  8. kadakebhyo namah
  9. swarnanguliyebhyo namah
  10. swarnakanjeeye namah
  11. swarnanoopurabhyam namah

Upachara: murthi pooja to naivedya are similar with Tara Pachakshari sadhana. I will outline the general Saraswathi pooja next to complete this sadhana variant.


Saraswathi Sadhana

Dear all, the complete the neela saraswathi sadhana, the saraswati sadhana also should be outlined although, this is very common sadhana used in ordinary households.

Now I will detail the sadhana and dear all should understand the necessary components be in the Neela Saraswathi sadhana.

Astra mantra – sleem pashuhum phat

Moola mantra – Om saraswathye namah

Anga:

  1. Om sam hrydayaya namah
  2. Om ram shirase swaha
  3. Om swam shikyaye vashal
  4. Om tyaim kavachaya namah
  5. Om nam netratryaya vaushat
  6. Om ma: astraya phat

Сhandas – kanva rishi, gayatri chandas, saraswathi devata

Dhyana Shloka:

“Hamsarooddaa harahasithaharendukunthavadaathaa

Vaani mandasmithataramukhee maulibadhendurekhaa

Vidyaveenamruthamayakhadakshasragaadiptahasta

Shubrabjasta bhavadabhimathapraptyaye bharati syath”

Peeda shakthi – hrim namah

Peeda samisti – hrim sarwashakthi kamalanasanaya namah

Peeda pooja mantras – gurwathi jnanatmanandam ( durga , 28 mantras) , medhathi navashakthi ( saraswathi, 9 +) and in total 38 mantras with which, with water from beginning to end do the pooja.

(I will keep an appendix of the various peeda pooja mantras in the end after outlining all sadhanas)

Moorti kalpana – hrim namah om saraswathye namah saraswathimoorthaye namah

Upachara – vaagiswareeyividmahe saraswathyee dhimahi tanno vaagiswari prajodayal

Avahana – omitting the avahana mudras, vyapaka, lipi, panchatatwa and moolakshara nyasas 🙂 as this outline is for information and not for sadhana.

Ayudha nyasa:

  1. vidyayai namah
  2. veenayai namah
  3. amruthakumbhaya namah
  4. akshamaalayai namah

Bhushana nyasa:

  1. makudaya namah
  2. ardhachandraya namah
  3. haaraya namah
  4. angadi sarwabhushanebhyoo namah
  5. shubravastraya namah
  6. swethothareeyaya namah
  7. ratnakanchyee namah
  8. swarnanoopurabhyam namah

Upahara – padyamidam arkhyamidam achamaneeyamidam

Murthi pooja – with the following steps; pranavathraya, upachara, moolathraya, moolakshara, anga, ayudha, bhushana, angaavarana, astra being completed with yogayee namah, then moortyavarana is performed, followed by indradi pariwara, vajradi parivarayudhas, with the nirmalya dhari; martye namah, one has to do the do pooja with water, beginning to end.

Dwadastas – Aim sundaryee namah klim sumukhyee namah

Followed by mukhapooja till naivedya (details are omitted as the general way of doing this will be given as appendix)

|| Saraswati pooja samaptam ||


Tara Saptakshari(mantrantara)

Dear all, let me outline the Tara Saptakshari sadhana.

Astra mantra – Vajrodake hum phat

Moola mantra – Om trim hrim hum hrim hum phal ( the mantra used by brahma)

Anga:

  1. hram hrdayaya namah
  2. hrim sirase swaha
  3. hroom shikhaye vashal
  4. hraiyim kavachaya hum
  5. hraum netratrayaya vaushat
  6. hra: astraya phat

Chandas – shakthi rishi gayatri chandas tara devata

Dhayana shloka:

“shwetambaraam sharadachadrakandim sadhbhushanaam chandrakalavatamsam kartrikapaalanwithapaanipadmaam taraam trinetram prabhajeyokhilardhayee”

Peeta shakthi – Hrim namah (pooja yantra – shalkone, astadala, bhupura)

Peeta samasti – Om hrim pralayavaristhithamahaswethapadmasanaya namah Peeta pooja mantras – as similar as trijada sadhana

Murthi kalpana – Hrim namah om trim hrim hum hrim hum phal namah taramurthaye namah

Upachara – Om hrim om namah

Avahana – ayudha and bhushana nyasa as mentioned below, remaining all same as tara trijada sadhana

Ayudha nyasa:

  1. khadgaya namah
  2. Kapalaya namah

Bhushana nyasa:

  1. makudaya namah
  2. ardhachandraya namah
  3. swarnabhushanebyo namah

Upahara – arkyamidam, paadyamidam, aachamaneeyamidam

Moorthi pooja – 16 dwastaa and naivedya as per tara panchakshari ritual mentioned.

||Tara Saptakshari Samaptam ||


Modes of Worship

Dear all, there are more Tara sadhanas which are primarily variants of the already outlined ones. The mantrantara with moolamantra variations can also be seen. I am leaving these sadhanas to the readers to find out themselves as per individual interests.

Before I move into the next deity sadhana, a brief comment on the difference between the worship by a man and a woman. Most of the ritualistic texts which survived the test of times don’t have clear demarcation on this aspect.

The beginning of understanding this difference is routed in the concept of man as a representation of purusha and the woman as a representation of shakthi, both respectable in its own ways. we should also understand that both the man and the woman have the innate ability to achieve the complete merger with the omnipotent omnipresent brahman.

But the sankalpa is different. Man should realize and worship himself as the utmost purusha with penance and rituals which will eventually understand the duality as a limitation and merge with the cosmic energy. This is his route to attain the Brahman.

There are plenty of rituals and mantras like gayatri which is been designed to worship the cosmic energy. This is one reason why gayatri is been used especially by men for worship.

But women who are the embodiment of shakthi understands and realizes it with rituals and penance and transcend the duality as a limitation to merge with the supreme consciousness. This is her route to attain the omnipresent omnipotent Brahman.

Women do not need need gayatri as her essential self is shakthi and she has to realize that only. But she has to understand the tatwas and purusha aspects for completion

No human beings are exceptions to this , but rishis, ethereal beings like kinnaras , gandarvas, luminous ones like devas, the immortals and manifestations of the trinity (brahma, vishnu , maheswara) are exceptions to these rules as they know the entire aspects of shakthi and purusha in totality.

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